Shure DP11EQ Manuel d'utilisateur télécharger pdf (Page 16)

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Compressor

Definiton:

A compressor reduces the dynamic level of an input audio signal by an amount

determined by the ratio setting (usually less than 10:1). Typically, a compressor has a slower reaction

time than a limiter.

Application:

Compression can be used in order to scale a signal with a wide dynamic range to

audio equipment with a smaller dynamic range (amplifier, loudspeaker, tape recorder, etc.).

Compression can also be used to improve the audio quality when a talker has a tendency to move

closer to the microphone, causing sudden shifts from quiet to loud. In this case, a compressor would

help by lowering the loud signals when the talker is closer to the microphone, creating a consistent

signal level.

For the Compressor, the parameters and controls function as follows:

COMP Select Button. Click on this button to select the compressor. Click a second time to

bypass.

THRESHOLD. The threshold sets the dynamic level above which the processing begins. To

adjust the threshold, click and drag the “T” box at the top of the graph, or click on the ↑ and ↓

buttons of the THRESHOLD field.

RATIO. The ratio sets the amount of compression. For instance, a ratio of 2:1 means that for

every 2 dB increase in dynamic level of the input signal over the threshold, the DP11EQ output

will increase only 1 dB. Compressor ratios are generally between 1.1:1 and 10:1.

ATTACK. The attack controls the amount of time before the gain is reduced after an input

signal rises above the threshold.

DECAY. The decay controls the amount of time before the gain is returned to unity once the

input level is lower than the threshold.

KNEE. The knee setting determines the abruptness of the slope of the ratio setting. The hard

knee works aggressively, applying the compression slope immediately once the signal rises

above the threshold. The soft knee gradually applies compression as the signal level

approaches the threshold setting.

Limiter

Definition:

A limiter acts as a ceiling, preventing drastic rises in the dynamic level of an audio

signal. Like a compressor, limiting reduces the output signal, but to a much greater degree.

Occasional short peaks may still pass through the system. Typically, a limiter has a faster reaction

time than a compressor

Application:

A limiter is often used to protect against sudden bursts which could potentially

damage loudspeakers.

For the Limiter, the parameters and controls function as follows:

LIM (Limiter) Select Button. Click on this button to select the limiter. Click a second time to

bypass.

THRESHOLD. The Threshold sets the dynamic level above which the processing begins. To

adjust the threshold, click and drag the “T” box at the top of the graph, or click on the ↑ and ↓

buttons of the THRESHOLD field.

RATIO. The ratio sets the amount of limiting. For instance, a ratio of 10:1 means that for every

10 dB increase in dynamic level of the input signal over the threshold, the DP11EQ output will

increase by only 1 dB. Limiter ratios are generally 10:1 or greater.

ATTACK. The attack controls the amount of time before the gain is reduced after an input

signal rises above the threshold.

DECAY. The decay controls the amount of time before the gain is returned to unity once the

input level is lower than the threshold.

KNEE. The knee setting determines the abruptness of the slope of the ratio setting. The hard

knee works aggressively, applying the slope immediately once the signal rises above the

threshold. The soft knee gradually applies limiting as the signal level approaches the threshold

setting.

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Shure DP11EQ Manuel d'utilisateur Page 16

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